5 QUESTIONS WITH ENTER SHIKARI
Closing in on ten years of politically conscious, genre defying musical anarchy, Enter Shikari is set to invade The Sunset Strip once again when they perform here on Saturday, March 23.
Since the release of last year’s critically acclaimed A Flash Flood of Colour, the band has been touring nonstop spreading their progressive global message while collectively kicking post-hardcore musical ass on stages across the world.
It’s been a little over a year since the release of A Flash Flood of Colour, an album whose lyrics seem to focus primarily on issues surrounding the current global recession. Do you think we’ve made any economic progress over the past year?
Well, how long have you got? I think the fundamental problems are the fact that our economic system is completely unsustainable and inefficient. First of all the obvious point, capitalism relies on infinite growth and we live on a finite planet. It falls at the first hurdle! There ain’t no planet B as they say!
It’s also a system that relies on cyclical consumption, a constant cycle of production and consumption. But this hasn’t taken into account the exponential advancement of technology and therefore technological unemployment. The more people that become unemployed as machines take over mind-numbing jobs, the smaller the amount of people that have purchasing power… We need a system that allows humans to reach their true creative potential and to not be stuck in a soul destroying repetitive ball-ache of a job that a simple bit of machinery could do!
The band has quite an eclectic mix of very cleverly crafted song titles. Which of your song titles are you most proud of? What’s the story behind it?
Thank you! “Fanfare for the Conscious Man” is probably a proud one for me. I used to play with my dad’s vinyl when I was a kid and “Fanfare for the Common Man” was always a favorite. I like to think I brought the grandiose nature of that old track into the fury of our song.
Other ones with a narrative or history to the actual titles themselves would be “Return To Energiser,” which is the command heard in many laser tag places when you need to reload.
Thoughts on the current dubstep trend/craze?
Indifferent I guess… There was a point where I became slightly frustrated at the way the “mainstream” had gotten hold of it, but that’s the trouble with any new hyped underground genre—as soon as labels and artists see a dollar sign on it they’ll dive in and dilute it or just plain murder it. We were lucky enough to see dubstep grow from its very roots—living here in London—and many of its classier artists still influence us to this day.
The band’s been touring pretty much constantly since January of last year. Looking forward to taking some time off? What’s next?
Yes this summer should be great fun: a bit of writing, some festivals and some time at home. The best of all worlds in comfortably sized doses! After the festival season, we’ll be gearing up to get back in the studio for whatever comes next!
Are you more “at home” on the road than when you are actually at home? What’s the one creature comfort you miss the most?
Weare comfortable with being on the road, but if you’re away for longer than a few months it really does begin to grind you down—mainly because you miss your family and friends. And I do miss my mum’s cooking [laughter]!
Bonus Question: Can we all finally come to an agreement that “color” is best spelled the American way sans “u?”
Well to be honest we’re both wrong I reckon… The logical way to spell it would surely be “culler,” but that’s our confused English language for you!
Tickets for Enter Shikari, Architects (UK), Heartist, and Crossfaith are on sale now.