“Ladies & Gentlemen, whether you like it or not… HEDWIG!”
Hedwig & The Angry Inch starring Donovan Leitch is setting up shop here November 1-7! This rock & roll musical follows Hedwig, the transgender East German rock star, her band, and her “angry inch.” Donovan Leitch is no stranger to the musical and his vocals (let alone the drag) are enough to make it worthwhile. The movie of the same title was adapted from the off-Broadway musical. Check out the trailer of the 2006 run here with Donovan:
A portion of the proceeds from all shows will go to The Trevor Project, the leading national organization for crisis intervention and suicide prevention amongst LGBT youth.
U.K. soul mama gets crowned on the Sunset Strip Monday, March 19, at the Roxy
By Ernest Hardy
Thursday, March 22, 2007
“Performing to a sold-out Roxy, Amy Winehouse gave a hilarious intro to the confessional song “You Know I’m No Good”: After she had betrayed a lover, he asked if she even loved him. “I told him, ‘I do love you,’ ” she recounted — adding with playful exasperation, “ ‘But, like, I get bored. I told you I’m no good!’ ” The crowd loved it — and sang every song by heart, all night long.
Winehouse’s top-to-bottom brilliant sophomore album, Back to Black (Republic/Universal), is bursting with great, quotable lines, many as wry as they are poignant. One of the best is tucked in the driving, Motown-based “Tears Dry on Their Own,” where she admits: “Even if I stop wanting you/and perspective pushes through/I’ll be some next man’s other woman soon…”
The word other is key here. That’s the woman who wears the scarlet letter — fallen, disgraced. Winehouse casually conveys volumes through a single word or phrasing choice throughout Black, a breakup album whose defining characteristic is working-class feminine wit. And I mean both types of wit — intelligence and humor, which Winehouse uses intuitively to express how obsession dovetails with addiction. References to booze and boozing, drugging and fucking-as-self-destruction crowd the text of this confessional album. The musical filter through which Winehouse pours it all is the girl-group sound of the early ’60s — the Shangri-Las, the Shirelles, the Ronettes and the Chiffons.
Live, Winehouse was noticeably nervous but utterly charming, singing for an audience who knew all the words to all the songs. She was in spectacular voice throughout, backed by a crack band (man, that horn section . . .) and two chicly attired male backup singers who energetically pulled off synchronized choreography. Winehouse’s own herky-jerky, off-the-beat dancing and ragged emulation of girl-group style somehow underscored an aura of sincerity (a matted beehive with an unkempt tail; an ill-fitting dress that kept sliding down her scary-thin frame; weathered leopard-print shoes rummaged from the back of some tranny’s closet). Her awkward performance of femininity befits a woman who can’t quite figure how to stop fucking up her relationships and her life.
Winehouse may be retro, but her work is, mercifully, irony-free. This is no academic study of girl-group traditions; instead, it’s a gut-level recognition of the strength and beauty of those impeccably crafted records — and the 8-by-10-ready public personas attached to them. For Back to Black, Winehouse gave her producers, Mark Ronson and Salaamremi.com, explicit instructions about the sound and vibe she wanted to accompany her self-penned lyrics. Together, they’ve captured not only the aesthetics of an era (the album is a gorgeous latticework of perfect, anachronistic detail) but also the naked romanticism, and theatrical but sincere vulnerability, of pop gone by. But Winehouse also references kindred artists outside the girl-group heyday: Esther Phillips (whose addiction-filled life and the havoc it wreaked on her career make her the most resonant influence), Billie Holiday, Sarah Vaughan and, of course, Lauryn Hill.
At the Roxy, Winehouse sang everything from Back to Black, including “Addicted” (inexplicably left off the U.S. release, replaced with a god-awful remix of “You Know I’m No Good” featuring a rap by Ghostface Killah). Highlights of the set were “Tears Run Dry” and… it’s hard to say. The crowd’s energy was so intense, and their already-won love so exuberantly given, the night had the feel of a raucous coronation.
What was especially interesting about the performance was the way Winehouse handled her nerves — besides frequent sips taken from a cup at the edge of the stage. She stared down at the stage a lot, then looked up with a sneer or curled lip that evoked gum-popping, eyeball-rolling femmes from Ronettes to B-girls, gangsters’ molls to biker chicks. But there were also fleeting moments when she clearly checked out of her own performance: Her eyes would simply go blank, and she’d retreat behind them. Still, that voice — the sound of mysteriously missing teeth, Spanish Harlem stoops in summer and declarations of undying love — never wavered, and was never less than amazing.”
To read the rest of the review check the LA Weekly
“Amy Winehouse is such a hot mess!
She is the stuff of legend, and on Monday night a who’s who of hipsters and Hollywood players were treated to a tour de force performance by the Rehab chanteuse.
You never know if Wino is gonna show up to a gig or if she’ll even make it through a show, but she more than held her own at The Roxy.
Unfortunately, fans expecting to see her at Spaceland in Silverlake tonight might be a tad disappointed. We hear she might be cancelling!
Why? Because the venue is too small and they won’t allow her 10+ person band to come with her.
Hopefully that will all get sorted out, but if it doesn’t…..well, that’s Amy Winehouse for ya!
To sing the blues you must live the blues. And she lives it.”
Check out Scott T Sterlings review…
I Was There: Amy Winehouse at The Roxy, 3/19/07
“I guess you could call it pure, dumb luck. It just so happened that I heard about the Amy Winehouse show at the Roxy a couple of hours before my man Jeff Weiss informed me that she was also scheduled to play at Spaceland. Given my druthers, I would’ve purchased a ticket to see her in the much smaller Spaceland. But in my haste to secure a chance to see this notorious UK train wreck up close and personal like, I’d already laid my good money down for the Roxy show. In hindsight, I inadvertently made the right choice, since Ms. Winehouse famously bailed on the Spaceland gig.
I got to the Roxy a good 20 minutes before she took the stage, and I can honestly say I’ve never seen such an intense scrum up in that joint. It was packed to the back with an interesting array of Los Angelenos, skewing older than I’d expected.
Worming my way towards the front of the room, I found a choice spot maybe five feet from the stage, off to the right. A very drunk girl stumbles into me, pausing to take off her high heels. Oh boy, here we go. An older couple behind me is drunkenly making out, repeatedly ramming into my back. Really? The things I do for music.
When the lights finally dim and the curtains open, a surprisingly together looking Winehouse saunters up to the microphone to the strains of the Chiffons “He’s So Fine,” looking oddly sexy (skinny legs and all) in a blue prom dress that put her cleavage up front and center and showcased her bevy of tattoos. There were no signs of track marks or “meth skin” to be seen anywhere. She didn’t even appear to be drunk. What gives?
Backed ably by retro R&B outfit the Dap-Kings, our girl sailed through most of Back to Black admirably; her husky croon sounding even stronger than it does on the record. Her voice shined on mid-tempo numbers like the reggae-tinged “Just Friends,” but really soared on the barn-burners like “You Know I’m No Good.” What’s especially impressive is the way she attacks high notes, filling them with pure emotion, the total opposite of showboats like Christina Aguilera who completely overdo it with ridiculous trills and runs that never seem to stop.
Sliding in a verse of Lauryn Hill’s “Doo Wop (That Thing)” into “He Can Only Hold Her,” it was hard to miss the irony. Is Winehouse destined for a similar crash-and-burn like the one that beset Ms. Hill? Given her raw talent and limitless potential, I certainly hope not.
She’s comfortable and self-assured onstage. After announcing the evening’s last song to a boisterous chorus of “No!” she joked with the crowd:
“Well, obviously it’s not the last song. We still have to do the encores. I’m just playing the game up here, all right?”
The month of Camp Freddy Mayhem has become this Rock N Roll machine that has been the talk of the town! It’s taken over like no one could have ever imagined. It started off great as we were so excited to be able to hold one of our Roxy contests to find the lucky openers – which allowed local bands to actually warm up the stage for Freddy. What a great opportunity. And now, we’ve had FIVE sold out shows – countless special guests – and killer set lists. Over the past 4 weeks, we’ve seen Tommy Lee, Terry Nunn, Chester of Linkin Park, Brandon Boyd of Incubus, Chino of the Deftones, Jerry Cantrell, Lemmy Kilmister, B-Real and Sen Dog, Tiffany, Metal Skool, Cory from Slipknot/Stone Sour, Tom Morrello as well as our house favorite Mark McGrath – to name a few! On top of the Sex Pistols Paul Cook, Glen Matlock and Steve Jones and GnR legends Duff and Slash! Insanity. We hate to rub it in, because the Freddy Finale tonight is of course sold out – but for the lucky, this show will take the cake! Every Thursday the chaos starts early – so make sure you stay tuned as Nic and I twitter the day away. We’ll keep you updated as always, on all the nitty gritty secrets. Thanks to all the guests and the guys – as well as the fans who have made the Roxy their nightlife staple for the month. We hope to see you all soon.
Now that we have started our own Flickr group, The Roxy Theatre, anyone can add their photos taken at The Roxy or On The Rox to share with the world. So far we have received over 1500 photos from over 100 members. At the beginning of each month we will post our favorites in our “Shots From The Top” post. Keep shooting and post often, thanks to all who contributed.
Money Mark at Chavo’s Birthday Jam Session with Rza, West Coast Wu Tang, John Frusciante of RHCP and John Dolmayan of SOAD
Photo by Erik Voake Continue reading →
Some of our favorite nights – involve bands we think are some of the best kept secrets in town. But lucky for you, we’re letting you in on this little gem of some hot bands. Come check out SABROSA PURR, JONNEINE ZAPATA, MARYANDI, & SINK TO SEE. Call us for tickets – 310 278 9457.
It hasn’t been long since the boys of Tokio Hotel came to visit…but we miss them! Lucky for us, their first ever US performance (at the Roxy of course) is well documented in their new youtube videos! It’s fun to relive the excitement – we cannot wait to have them back!
Voted one of the hottest artists of SXSW 2007, AND was one of the most anticipated performers of just passed, SXSW 2008 – we’re excited to have Kaki here! Her guitar playing is truly irresistible & something that should not be missed.
Just a quick shout out to our pal Dave, and his guest blogging about the Presidents of the United States of America show last Friday! Thanks Dave – and check out his amazing photos too- is that Weird Al??
When bands drop off the map, its far and few between that can put out an album and tour like they did 10 years ago. However, when PUSA took the stage at the Roxy, the crowd proved that they wanted them back on stage more than ever. Singing along with every song the crowd grew together and the energy radiated from the floor all the way through the stained glass window at the top of the club. Then when things couldn’t get any better, the trio brought some guests on stage. First was Wayne from MC5 to help them cover his infamous song… KICK OUT THE JAMS, but the true highlight of the evening was when Weird Al jumped up on stage, accordion in hand, and blasted out Boston’s, MORE THAN A FEELING with the guys to close the night. I’m a fan all over again….
If you’ve seen some of our past blogs….you’ll know we’re pretty huge fans of crazy fandom – and as we rolled into work this fine Monday morning, we were very excited to see some very enthusiastic fans camped outside. I especially loved the air mattress. For all you fans that aren’t able to check out the show tonight…what are some of your favorite Backstreet Boys memories? Are you excited for AJ’s solo stuff?
And lucky for us, as I ran outside to take some pictures…ran into AJ himself showing the fans some love- check it out!
Best known for his role in one of the most beloved boybands of the 90’s – we can’t even tell you how excited we are to have Backstreet Boy AJ MCLEAN here next MONDAY MARCH 24th. Their are still a few tickets left which can be purchased thru ticketmaster and thru the Roxy box office…and JUST added are local favs Everybody Else and Blackcowboy! Check out AJ debuting his new single (a jazz, funk, soul type feel) tonight (March 21, 2008) on LA station 102.7 KIIS FM on Jojo’s Top 9 at 9. Check it out!
For all you folks that bucked up and braved Texas for this year’s SXSW extravaganza…and for those that would rather stay and live vicariously thru others – I give you, Ms. Megan Jacobs – and her blog!
MEGGIE’S WILD RYDE
One bookers journey through band-land-ia
SxSW – Austin, Texas – 2008
Still laughing – still exhausted- still deaf – still drying out – still laughing.
Had the best time ever in Austin, Texas. Pushed myself further than I thought I could go. From band to band and just hand me another cocktail my friend. The highlights of the story go something like this…. Continue reading →
This Saturday, we without a doubt – have the HOTTEST bill in town. We are so excited to have all three of these bands…and we know you will be too! We never have enough good things to say about Billy Boy on Poison and they are such a rad way to kick off the show. The Vacation are of course, regulars on the Strip and never fail to entertain…and lastly, THE MOONEY SUZUKI! It’s been a while since they’ve played out here, and is definitely grounds to celebrate….